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Say Anything - ...is A Real Boy


Say Anything - ...is A Real Boy

Album Details

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Though Say Anything did open for Dashboard Confessional, it should have been the other way around. That's if there had to be any connection between the two bands at all.

Dashboard Confessional lacks intellectuality, while Bemis reveals his insight in such a way many teenage musicians can not pull off. Apparent in Say Anything's lyrics is the essence of boy. Like most young rock musicians Say Anything's lyrics are Bemis's problems being echoed out into the masses. What most bands lack, and what Bemis presents, are ideas that exceed his rants in response to his personal conflicts. Like Sylvia Plath, Bemis's deep perception of the world around him makes it so that he can make a conflict within him that is seemingly self involved pertain to the other broader issues and philosophies.

'I would never risk a scratch to prove to one orboth of them that a cat is just a cat.' (Yellow Cat (Slash) Red Cat)

Bemis writes metaphorically, and while some teenagers will understand that, all teenagers will understand the confused, bile, screams harshly but melodically sung from within his chest.

The instrumentation is dominated by Jacob Linder. Linder is Say Anything's drummer, who is largely responsible for the punk rock feel given to the album. Bemis shifts from tender songs like 'I Want to Know Your Plans' to angry punk rock as in 'An Orgy of Critics.' The music is cushioned and cradled by hooks that act as musical heroin.

Produced by Tim O'Heir ( Superdrag, Dinosaur jr,) and Co produced by Stephan Trask (Hedwig and the Angry Itch,) originally a 'rock opera,' Say Anything's debut album, Say Anything is a Real Boy is a much needed record filled with barefaced honesty. The raw boy in Max Bemis is what makes this album so exceptional. Bemis successfully voices brilliance through immaturity, and that what all kids want to prove.

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Rating: 9.5/10
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Review:
on 2008-02-20 digitalbath Said:

Slightly inept, socially bankrupt, and clinically insane. Typically these words would scare off the masses unless in reference to Max Bemis' lyrics in ... Is a Real Boy and surprisingly this fact only adds to their appeal.

The debut album from Say Anything portrays an extreme talent sung through gritted teeth that resonate through each song's introduction, verse, chorus, bridge, and conclusion. The album is filled with catchy little numbers such as "Alive with the Glory of Love" that have every teenage girl skipping frantically and singing, "No, I won't let them take you, won't let them take you." Yet it still proves to be an intelligent album with songs like "Admit It!!!" calling out"scene kids" everywhere and yet still showing Max Bemis' ability to be objective and call himself out on a few of his own problems.

Most albums written by a teenager show their heightened sense of angst and rebellion, which this album truly does. However, many of them fail to resonate in a significant way to the masses. Max Bemis' shows his true colors in ... Is a Real Boy and manages to keep even the mature listener hooked on his every word spoken or sung.

The lyrics aren't the only aspect of this album to be admired either. The drums, by Coby Linder, always prove to take a commanding role in each song. Each song is played with a swing feel that makes it easy for any simpleton to sway back and forth to. The guitar riffs, though simple, prove to add to the catchiness of every single song. The guitar can be enjoyed thoroughly in songs such as Yelow Cat (Slash) Red Cat where each lyric seems to be dragged along with an absurd confidence to match Max Bemis' insane style.

In the end though, it all comes back to Max Bemis' seemingly never-ending immaturity in lyric mixed with a maturity that seems to be influenced by some psychotic disorder. He still whines about his past girlfriends in "Everyone has a Molly" but seems to redeem himself with songs like "Wow, I Can Get Sexual Too" which, although an immature topic, shows his maturity and/or awkwardness when dealing with the opposite sex.

This album is truly one to marvel at and ultimately should be listened to by any avid and self-loathing human being on our mother earth at least once. Whether or not you should listen to it a second time is a simple matter of opinion but as Max will tell you, "I'm the spider." I did mention he was insane right?
Rating: 8/10


Review:
on 2007-07-31 Alotofnothing Said:

This is an amazing album. Like the editorial review says, the hooks that the slightly insane Max Bemis lays down are like musical heroin. Sometimes life is melancholy, boring, and slightly repetitive, but every time it turns that way I throw in this CD. Screaming "I'm eating rat poison for dinner" along with Max could cheer anyone up. Not a lot of records can prove that it's good to be a kid, and that responsibility sucks, but ...Is A Real Boy can. It's hard to put the brilliance in this record into words, it's really a must listen for everyone.
Rating: 10/10


Review:
on 2007-07-24 blackxdan Said:

Say Anything really should have been recognized when this album was first released, not two years later. This album is honestly amazing, and I'm glad that the band is finally getting the recognition and bigger fan base like they deserve. All of their songs are great because of the unexpected chord progressions and their sexual lyrics. This band is hilarious, just look at the lyrics from "Wow, I can Get Sexual To". An amazingly catchy song, with funny lyrics to go with it. Say Anything has the potential to become as famous as fall out boy [knock on wood] but for right now, they are probably fine with the pedistal that they have comfortably placed themselves upon. Expect great things from this band in the future, with this Sophomore release not too far away.
Rating: 10/10



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